ONE FOR MY BABYThis new Harold Arlen musical with an original book by Scott Thompson and Fred Barton was recently presented as a fully-staged workshop at the New 42nd Street Studios. More>>
MISS GULCH RETURNS!Miss Gulch Returns! is my musical comedy valentine to the romantically disenfranchised, who can find a new metaphorical spokesperson in Miss Gulch, the ultimate "spinster" (as they used to be known). More>>
THE TWO SVENGALISIn the style of 1950's Hollywood backstage musicals, combined with the melodramatics of Douglas Sirk, The Two Svengalis ponders the mysterious electricity that mutually ignites two sympatico talents and the chaos that ensues as they try to figure out who's bringing out the brilliance of whom. More>>
FORBIDDEN BROADWAYFORBIDDEN BROADWAY walked into my apartment one winter night in 1981, in the form of Nora Mae Lyng, parodist Gerard Alessandrini, and his longtime pianist/aide-de-camp Pete Blue; and a unique chemical reaction between us all turned a scrapbook full of lyrics and leadsheets into an international phenomenon.More>>
I appeared as myself and as Singer & Musical Director of this one-hour special, featuring the ladies of the Moonlite Bunny Ranch in Reno, Nevada. HBO continues to broadcast the show, and it's in release on DVD.
I played an irascible judge prone to bribes, leading the opening number, "A Man Of The People." The judge's bench hid a piano, from which I led the band while furiously controlling a chaotic courtroom. Act 2 gave me a cane-and-tap duet with Susan Mansur (Doatsey Mae in Best Little Whorehouse In Texas.) This was the second Cy Coleman show with musicians built into the cast and scenery – the first was I Love My Wife, in which I played a host of roles at Theatre By The Sea, with Michael McGrath.
I played Bert Healey, the excitable radio host, leading the cast in "You're Never Fully Dressed Without A Smile." The production starred Ruth Williamson and earned three-quarters of a million at the box office.
TOMFOOLERY (Delaware Theatre Company,Derek Wolshanak, Director/Choreographer) I brought down the house with Tom Lehrer's "The Elements," and got the 11:00 spot warbling "I Hold Your Hand In Mine" (with a candelabra flown in for the occasion). I grew up on Lehrer's records, had sung his material since I was ten, and sat at his feet when he performed at a John Kerry fund-raiser at the house next door when I was thirteen, so Tomfoolery was in the cards.
I had various solo turns in successive editions. First edition: "Too Many Sondheims," to the tune of "Too Many Mornings" from Follies, bemoaning the proliferation of Sondheim imitators. Second edition: "I'm Sick Of Playing Their Songs," based on my audition experiences with a few ornery actors. Third edition: I impersonated Stephen Sondheim, commenting on Sunday In The Park With George by singing "Send In The Crowds."
THEATRE BY THE SEA
Theatre-by-the-Sea Cabaret (1977-1981)
"The Wizard of Oz"
I was one of producer Tommy Brent's discoveries (Tovah Feldshuh and Cherry Jones are among numerous others). I played The Wicked Witch in The Wizard Of Oz (launching my long association with the Miss Gulch persona), the mordant Master Of Ceremonies in Chicago, a series of quick-change roles in I Love My Wife with Michael McGrath, the Mad Hatter in Alice In Wonderland with Rebecca Spencer, and Bert in Mary Poppins with Susan Scannell (we were way ahead of the Brits on that one). My career as a cabaret performer was born in the Cabaret at Theatre By The Sea.
HARVARD
"Two Gentlemen of Verona"
"Superman"
I debuted as Launce in the musical Two Gentlemen Of Verona (directed by Andy Cadiff), getting high marks from its visiting author, John Guare. I played second banana in Andy Borowitz's Gars & Goyles (written/directed by the future Hollywood producer and national columnist), terrorized Superman as mad professor Dr. Abner Sedgwick in Strouse & Adams' It's A Bird, It's A Plane, It's Superman (also directed by Borowitz), and played the Fred Astaire role in a revival of Lady, Be Good.
"Lady Be Good" (Laura Hastings)
Even in High School, I emulated Mickey & Judy with a succession of divas (see below). I've been fortunate with my divas, from the high school triumvirate including Susan Scannell, to Nora Mae Lyng, Elena Bennett, and Toni DiBuono. A personal diva—don't leave home without one.
Susan Scannell
Gail Cerulli
Karin Winnard
Elena Bennett, at Eighty-Eights ("A Wrinkle in Swingtime")